Welcome to The Workshop Theater’s 11th Annual “Out of the Hat” Festival!
52 ACTORS and 26 PLAYWRIGHTS
matched by random draw
CREATED 26 short PLAYS
Loosely inspired by the prompt “tomorrow”
This year's festival will be performed over 4 nights (December 2, 3, 4, and 6) at
Episcopal Actors Guild
1 East 29th Street
New York, NY
All curtains will be at 7pm.
Choose the evenings you'd like to attend, or buy tickets to all 4!
Tuesday, December 2
TBD by Vincent Marano with Michael Gnat* and Tom Berdik*
TBD by Jon Lonoff with Dianna Martin and Jackie Jenkins*
TBD by Alyssa See-Tho with Jane Lincoln Taylor* and Angela Reynoso*
TBD by Paul Buzinski with Fred Velde* and Jill Melanie Wirth*
TBD by Ashley M. Thomas with Celeste Samson and Ethan Cadoff*
TBD by Michael Lazan with Lori Faiella* and Heather Massie*
Wednesday, December 3
TBD by Dan Caffrey with David Pincus and Liz Passero*
TBD by Dana Leslie Goldstein with Joanie Schumacher* and Tony Travostino
TBD by Alex Dmitriev with Lucy McMichael* and Natalie Mosco*
TBD by Laura Hirschberg with Jose Perez and Erin Treadway*
TBD by Tracy Newirth with Elliot Hoke and Lissa Watson
TBD by Kari Swenson Riely with James Armstrong* and Cecily Lyn*
TBD by Nathaniel Foster with Joshua Jordan Hendricks and Kalonjee Gallimore*
Thursday, December 4
TBD by Isabel Monk Cade with Jeff Paul* and Jason Howard*
TBD by SMJ with Katie Braden and Joe Burby*
TBD by Utkarsh Rajawat with Simran Pal Kaur and Juliet Lin
TBD by Amir-Gabriel Gad with Megan Lomax and Robert Meksin*
TBD by Blake Bonilla with Clew* and Jessica Carmona*
TBD by Cori Diaz with Wilson Hernandez and Jolie Cloutier
Saturday, December 6
TBD by Thalia Sablon with Nate James Shelton* and Ben Sumrall*
TBD by Liz Amberly with Christine Powers and Jody Prusan*
TBD by M. D. Schaffer and Ginaury Vásquez with Aja Downing*
TBD by Daniel Holzman with Emily Zacharias* and Joseph Franchini*
TBD by Erika Phoebus with Leslie Kincaid* and Sharahya Carter
TBD by C.S. Hanson with Wende O'Reilly and Margo Hammond*
TBD by Seth Bauer with Charles E. Gerber* and Emma Mueller
*Equity Member appearing with permission of Actors’ Equity Association without benefit of an Equity contract in this Off-Off Broadway production.
Michael Gnat recently costarred in the premiere of Bill Rogers’s Breaking the Trust (dir. G.vanHeerden), followed by two excellent short plays: Joe Hamel’s The Pow Wow (dir. C.Goutman) and Cate Allen’s Aftermath of a Dinner Party (dir. E.Nightengale) at New Circle. This summer he played Gloucester in King Lear (Theater2020). Other recent NYC: Marc Weiner’s Hidden (2023); George Pfirrmann’s Jersey Stories (livestream, CreateTheater, 2024); and Dave Doster’s Guardian Angel Blues (2024; dir. J.Strong). Some NYC favorites: Eddie Antar’s Drama Desk–nominated The Navigator and John McKinney’s The Chekhov Dreams (both dir. L.K.Burby); Evan Smith’s The Savannah Disputation and Sam Graber’s Shooter (including European tour) (both dir. K.Hilbe); Twelfth Night (Malvolio; dir. K.Curtiss); Michael Folie’s Slave Shack (dir. D.Whitfield); and Dark Planet (one-acts, Planet Connections). Feature films: The Subject, Off Jackson Avenue, Bobby G. Can’t Swim. Web: Scott Sickles’s Marianas Trench (Portland Stage, dir. K.R.Free); ONN’s News from the Year 2137. AEA, SAG–AFTRA. Thxoxox, Linda!
Jon Lonoff’s writing credits range from an adaptation of Aesop’s Fables for marionettes to a training film for Sunoco gas station attendants. His theatrical and film writing has included The Garbage Cantata (with Barry Keating), a musical about recycling; The Dark Knight, an independent film which won the Silver Award for Comedy at the Houston WorldFest Film Festival and was subsequently developed into an NBC-TV movie; and Key Changes and Other Disasters, awarded Best Musical Revue by the National Association of Cabaret and Concert Artists. His play Skin Deep, originally developed at the Workshop Theater Company in New York City, is published by Samuel French and has received over 60 stock and amateur productions throughout the US and internationally, including Sweden, Ireland, Australia and, currently, in repertory in Budapest, Hungary, under the title “Inch by Inch.”
Jackie Jenkins has crisscrossed the country performing theatre in multiple states before landing in NYC some 30 years ago. Having performed on stages both Off and further Off Broadway. She is a member of the Workshop Theater and Love Creek Productions. Roles have included Anna in “Mesquite NV” by Leegred Stevens, Catherine in “Miss Reardon Drinks A Little”, Beverly in Michael Cristofer’s, “Shadow Box” and Somerset Maugham’s, “Our Betters” . Jackie would be remiss in not mentioning her adoration for the work of Paul Buzinski, having performed in “Selection Day”, “Church Music”, “Dinner Party”, “Carefree Drive”, and “Fiddlin’ and Burnin”. SAG-AFTRA/AEA
Fred Velde is a native New Yorker and has been part of the New York theater scene for over thirty years. He has been a member of The Harbor Theatre since 1995 and is currently a member of The Workshop Theater. His theatre credits include The Price of Genius on Broadway, Sex by Mae West, OJ-Broadway, and Traveling Souls in Moscow as a member of The Phoenix Ensemble. As well as theater, he has appeared in film, soaps, Comedy Central and commercials. He is a member of AEA, SAG and AFTRA.
Jill Melanie Wirth is an actress/singer/writer who has worked in theatre, film, tv, concerts, commercials, and voice-overs in NY, Chicago, LA, and London. Off- Broadway: Kithless in Paradise. TV-Film: The Normal Heart (HBO). Solo Theatrical Concert: This is for You Daisy Ellington (92Y). Opera: Blind Injustice (MasterVoices). Jill has performed at such prestigious venues as Carnegie Hall, Lincoln Center, Playwrights Horizons, BAM, Vineyard Theatre, York Theatre, Westport Country Playhouse, and La Mama. Jill has worked under the direction of luminaries Tom O'Horgan, André De Shields, Patricia Birch, Ryan Murphy and Ted Sperling. Jill and her husband David Wirth create/perform dramedies that examine End-Of-Life Issues, Historical Topics, and Sexual Matters. JillMelanieWirth.weebly.com
If June Ambrose and James Baldwin had a baby, it’d be Ashley! Ashley M. Thomas (she/her(s)/herself) was born and raised in Harlem, NY with roots in the deep South. She’s done a little bit of it all: writing, dramaturgy, directing, producing, teaching, and organizing, which she’s most proud of combining altogether as the Producing Artistic Director of Yale Cabaret. As an artist, all of her work centers on Black life from the mundane to the surreal. Her plays, poems, creative criticism, and short stories all are crafted with a spirited curiosity and passion for storytelling. Her work has been published in Jabberwock, Broadway News, and 3Views Theater. As a dramaturg, she helps writers get clear about their story and characters through deep listening and deeper questions. Ashley has dramaturged over 20 works both regional & Off-Broadway. She is a proud alumna of the First Wave Urban Arts Scholarship at the University of Wisconsin-Madison where she graduated with her Bachelor of Social Work. Ashley also has developed work at The Workshop Theater and INTAR Theatre’s Unit 52. Somewhere between arts and administration, Ashley graduated with her MFA in Dramaturgy and Dramatic Criticism from Yale School of Drama. She enjoys a good fiction book, well-designed concert merch, and cooking for her loved ones. She’s a proud godmother to a teeny toddler. Ashley is a Libra Sun, Aries Rising, and Taurus Moon. You can catch her at ashleywrites.art
Celeste Samson (they/them) is an interdisciplinary theatre artist and costume designer from Queens, NYC. Off Broadway: Alexandria (J) at Dixon Place and Ramaavan (Surpanakha) at the American Theatre for actors. Recent roles/undergraduate work: Antigone (Ismene), Terminating or Sonnet LXXV or “Lass Meine Schmerzen Nicht Verloren Sein” or Ambivalence (Costume Design), Replacing Linda (Costume Design), Mr. Burns: A Post-Electric Play (Scratchy), The Bacchae (Bacchae Chorus), Call Me By Any Other Name... Just As Sweet (Romeo), Miss You Like Hell (Costume Design), We Are Proud to Present A Presentation on the Herero of Namibia, Formerly Known as Southwest Africa, From the German Südwestafrika, Between the Years 1884–1915 (Costume Design), Deja Vu on the Obituary Page (Chloe), “Girl Scouts Play” (Girl Scout #2), and Revenge of Eve (Lillith), Love Interest (Beck Fears), Tourist Trap (Costume Design), True Crime (Sami), Town Hall (Costume Design), Infinite (Costume Design), Pliable Futures (The Influencer), True Crime (Nancy), Somebody Told Me There’s a Monster in the Lake (Robin), Short Plays Where the Queers Win (mostly) (Darrel), Hope Is The Thing With Feathers (Scott), Short Plays Where the Gays Win (Jo), Going Over It Again (Ava) and Gray Mud (Rachel). They are also a cast member at Timeslip Rocky Horror Picture Show and an improviser with Letter of Marque Theater Company. @celsolstice on Instagram
Dan Caffrey is a Brooklyn-based playwright and pop-culture critic. Most recently, his stories have focused on the physical and psychological effects of the climate crisis, including River Watchers, an immersive theatre experience on a moving 14-person canoe in Brooklyn's Newtown Creek (co-created with Dina Vovsi and Jens Rasumussen). Dan is a proud alumnus of several Workshop Theater Intensives and the 2023/2024 Civilians' R&D Group. He has been a three-time O'Neill Finalist and seven-time Semi-Finalist, two-time Finalist for Princeton University and The Civilians' The Next Forever project, Jerome Fellowship Semi-Finalist, shortlisted for the Alpine Fellowship's 2021 Theatre Prize, Semi-Finalist for the Princess Grace Awards Playwriting Fellowship, Resident Artist at Tofte Lake Center, M.F.A. Scholar at the Sewanee Writers' Conference, and his work has been published in several anthologies by Smith & Kraus, including The Best Women's Stage Monologues 2021. His plays have recently been developed/produced by Gloucester Stage, Think Tank Theatre, the Atlantic Acting School, Hot Playwright Summer, The Orchard Project, American Records, Mixily Presents, Greenbrier Valley Theatre, Jarrott Productions, Kitchen Dog Theater, Hot Kitchen Collective, Genesis Ensemble, Otherworld Theatre Company, and Pegasus PlayLab, Sundown Collaborative Theatre, The Road Theatre, as well as many colleges and universities all around the country. His play "A Seed" was part of the 46th Annual Samuel French Off-Off Broadway Short Play Festival, produced by Concord Theatricals. His play "Duckass" was part of the 2022 festival, making it to the final 12. Dan has also written for a variety of pop-culture publications, including The A.V. Club, Consequence, Pitchfork, and Vox. His first book, Radiohead FAQ, is currently available from Rowman & Littlefield. He co-hosts The Losers' Club: A Stephen King Podcast (recipient of Joe Bob Briggs' Silver Bolo Award For Excellence In Horror Media) and Halloweenies: A Horror Franchise Podcast.
Dana Leslie Goldstein is a playwright, lyricist and librettist who has won the New England New Play Competition, Harold and Mimi Steinberg Playwriting Prize, Different Voices New Play Award, ACTF New Play Award, Henry Hoyns Poetry Fellowship, AWP Intro Award, an Academy of American Poets Prize and numerous development grants. Her work has been seen at Manhattan Theatre Club, Symphony Space, Cherry Lane, Culture Project, Women’s Project, The York, Theatre80, Theater for the New City, New Dramatists, Center Stage, BMI, Vineyard Playhouse, Pulse, Theater Row Theatre, Gene Frankel Theatre, The Barrow Group, Acorn Theatre, The Lark, Beckett Theatre, Neighborhood Playhouse, The Workshop Theater, Torn Page, The Road Theatre (Los Angeles), Nuyorican Poets Café, Estrogenius Festival, Brave New World Rep, Axial Theatre, Players Club of Swarthmore (PA), Ensemble Theatre of Chattanooga (TN), Clamour Theatre (FL), American Stage Company (FL), Left Edge Theatre (CA), PAN Theater (CA), Spooky Action Theatre (DC), Rainy Day Artistic Collective (Seattle, WA), Black Theatre Troupe of Upstate NY, Pacific Theatre (Vancouver, Canada), TischAsia (Singapore), Red Brick Theatre (Manchester, UK), Baggage Productions (Melbourne, Australia), at the Columbus Black Theatre Festival (OH), the New York Musical Theatre Festival, on Ellis and Liberty Islands, at the U.N. and on Equity TYA tours. Dana’s plays are published by Next Stage Press, Smith & Kraus, Applause Books, Sordelet Ink and Palmetto Press. Dana is a librettist and lyricist in the BMI Musical Theatre Workshop and a resident playwright at PlayGround-NY, and a proud member of the Dramatists Guild. For more information, visit www.danalesliegoldstein.com. Agent: Michael Moore, Michael@MichaelMooreAgency.com
Joanie Schumacher has been a member of the Workshop Theater since 2003, working as an actor and occasionally, as a costume designer. She is happy to again participate in Out Of The Hat 2024! AEA
Tony Travostino is a New York actor and member of Workshop Theater. He is very happy to participating in this Out of the Hat. tonytravostino.com
Alex Dmitriev has written several plays as part of the Workshop Theater’s Out of the Hat series. As an actor, he most recently played Phil Hogan in A Moon for the Misbegotten, for Brave New World Rep; Morty in After The Revolution at Morningside Players. Before that, Papa Bettinger in AMT Theater’s production of Albert M. Tapper’s Bettinger’s Luggage. As a member of the Workshop Theater, he was seen in Leegrid Steven’s Mesquite, NV and Alan C. Brindel’s Through The Darkness. As a director, Alex has work at regional theaters across the country, in Canada, and in London. In NYC, seven shows for the York Theater Company including the Drama Desk nominated Lost in the Stars; the Abingdon Theatre, Pearl Theater and the Irish Rep. For Brave New World, he director Arthur Miller’s A View From the Bridge on a barge in Red Hook. He spent the pandemic rereading the Greeks, out of which he wrote The House of Atreus, a series of connected monologues starting with Zeus and tracing the lineage from Tantalus to Orestes; BNW presented a workshop of this piece at the Greek Temple in Prospect Park.
Laura Hirschberg is a New York City-based writer, director, and stage manager. Her plays, including VERONA WALLS, FIRE THIEF, and SUPERTOPIA, have been developed, workshopped, and produced by Harvard University, Everyday Inferno, the Workshop Theater, Looking Glass Theatre, Caps Lock Theater, the Frigid Festival, LAB Theater Project, and many others. Her writing has been published by Applause Theatre & Cinema Books and Smith & Kraus. Laura’s work has received special recognition from the Jewish Plays Project and from Shakespeare’s New Contemporaries at the American Shakespeare Center. Laura's plays to date have featured titans, Shakespearean characters, cowboys, superheroes, lady pirates, and the occasional talking whale. They also explore family, friendship, loyalty, love. And in one case, Big Foot. Visit New Play Exchange (newplayexchange.org) to explore more of Laura's work. For more information about Laura's latest projects, please visit www.laurahirschberg.com.
Tracy Newirth is an actor, singer, writer, employee, daughter, wife and mother. Lots of hats make a happy head. Or something like that. Enjoy all your “tomorrows”!
Nathaniel Foster is a New York City-based playwright and performer. He was a 2017 Kennedy Center New Play Dramaturgy Fellow, a 2018 ASTEP Artist as Citizens Fellow, a 2018 Cape Cod Theatre Project New Play Development Fellow, and a 2019 New Play Development Apprentice at The Public Theater. He was a member of The Workshop Theatre's Winter//Spring 2020 writers' intensive. He was a 2020-2021 ArtHouse Inkubator Playwright and a 2021 resident playwright at The Strides Collective. He was a finalist for the 2024 Ojai Playwrights Conference, a member of The Kennedy Center's 2024 Black Playwrights Gathering Cohort. He was the recipient of the 2018 Kennedy Center Ken Ludwig Young Playwright Award. His plays have been seen or developed at The Kennedy Center, The Workshop Theatre, New York Theatre Festival, The Brick, Permafrost Theatre, Fort Collins Fringe Festival, Southern Utah University, Pharmacy Theatre, Mirrobox Theatre, The Strides Collective, Live and in Color, The Hollywood Fringe Festival, and The Tank.
Isabel Monk Cade
Jason Howard is an actor, fight choreographer, writer, director, producer, coder, and driving enthusiast. He has performed with the Public Theater, NYTW, The Workshop Theater, Theater for the New City, La Mama, The Nerve Tank, ManhattanTheatreSource (founding member), the Ontological, EST, Circle Rep, the Ohio and Gideon Media. He has toured internationally doing puppetry with Drama of Works. Co-Adapted/directed “Love That Dog” with NYCity Children’s Theater. Writing highlights: “Divine Providence”, “The Launch”, “The Monkey”. TV/Film highlights: “3rd Watch”, “Solar Vengeance”, “Soldier in the Shadows”, “Pandora Machine”. Podcasts: “Steal the Stars”, “Saturn’s Return.”, “Give Me Away”. jasonhoward.org.
SMJ (they/them) is a mixed-Latiné, non-binary, and NYC-based playwright originally from Mount Vernon, OH. They are proud to be the Executive Director of Andy’s Summer Playhouse. They were a Dramatists Guild Foundation Fellow. Their work has been seen in various forms with Ars Nova, Lincoln Center, The Kennedy Center, Eugene O’Neill Theater Center, New York Stage and Film, New York Comedy Festival, Latinx Playwrights Circle, The Orchard Project, and Live Arts in Charlottesville. Recently, SMJ has been a finalist for the 2024-25 Princess Grace Award in Playwriting at New Dramatists and 2024-25 Ars Nova Vision Residency. They were a semifinalist for the O’Neill’s National Playwrights Conference (2022-2025), the 2025 National Music Theater Conference, the 2026 Bay Area Playwrights Festival, the 2024 Samuel French Off-Off Broadway Short Play Festival. SMJ’s musical this old haunt is a NAMT-Recommended musical. They are a member of the Dramatists Guild and Ring of Keys.
Simran Pal Kaur is an NYC based multidisciplinary artist. She’s a Lehman College alumna who graduated with a BFA in Multimedia and Performing Arts. She uses her passions as instruments to tell stories that emerge from within her heart which connect people on a level of being human. Her mission is to inspire, be inspired, and spread love through the means of her artistry. CREDITS: Witch 1 (Macbeth), Juliet (Romeo and Juliet), Lord Dumaine (Love’s Labor’s Lost), Bogle (Jacob Marley’s Christmas Carol), Masha (Three Sisters). Website: www.simranpalkaur.com
Blake Bonilla
Jody Prusan
Ginaury Vásquez is a Dominican actor, singer-songwriter, recording artist, and dancer from the Bronx. Her recent stage credits include Macbeth (BronxShakes), It’s a Wonderful Life (Titan Theatre), and The Wiz (New York Black Arts). Additional credits include the Off-Off Broadway productions What If and Don Juan. She has also performed with the Children’s Theatre Company at Lehman College and appeared in numerous dance showcases with Hip Hop Theory [The Company] and The ChoreoJoey Project. Ginaury graduated summa cum laude from Lehman College with a B.A. in Theatre and Psychology. She is truly honored to be part of this festival and to share the stage with such talented artists.
Aja Downing is extremely pleased and excited to be apart of this project and ready for all the projects to come. Aja has been living and working in New York City for 10 years. She is extremely grateful and pleased for the community that she has found not only in this city, but through the wonderful community of theater and art. She graduated from AMDA in 2016. Some of Aja's previous roles were Lorrell Robinson in Dreamgirls ,Annette in TjLovesSally4eva, and St.Monica in The last days of Judas Iscariot. Aja would like to thank her Mom and dad for all their support and love! And also thank the incredible cast and crew of this project!
“Born in Haiti, raised in Queens, I have my mother’s tongue and a New York accent.” Thalia Sablon is a Brooklyn-based playwright, producer, and artistic administrator with a love for collaborative and unconventional storytelling. She earned her MFA in Playwriting from Rutgers University in 2022 and holds a BA from SUNY Purchase. Her work explores themes of identity, anti-capitalism, Afro-surrealism, and intergenerational memory. Her work has been developed and presented with institutions such as The Tank, JACKNY, Conch Shell Productions, Third Culture Theatre, New Georges, and Rutgers University. Thalia’s recent plays include Dirty (I Am BOLD Women Festival), Racoon Princess (TrashFest), How to Steal Time and Other Important Poor People Skills (Blue Light Series at Flushing Town Hall), and Angela Davis’s School For Girls With Big Eyes (Rutgers University). Her short films Cry Wolf (producer) and Strung (co-writer/producer) expand her storytelling into screen media. As a producer and administrator, Thalia has supported early-career artists through full productions, festivals, and readings. Oh, Honey (Co-produced with Ugly Face Theatre), Prisoncore! (Exponential Festival), Being Up In Here (Exponential Festival) and Crawl Space (The Flea) are some of the projects that she has been fortunate enough to work on. She served as an Artistic Administrative Fellow at New York Theatre Workshop (2022–23) and currently works as the Artistic Programs Assistant at Ensemble Studio Theatre, where she facilitates programming for Youngblood and the EST/Sloan Project. Thalia is a Co-Facilitator of New Georges Jam!
Nate James Shelton
Liz Amberly won the Dan I Rodden Jr Play Award for her play Embers. This play was also semi-finalist in the Eugene O’Neill National Playwrights Festival and was developed at the Workshop Theater Company, where she has had many plays performed, including Ripples, Whisper Down the Lane, Lullaby Lost, Fourteen Million, and others, developing her work most closely with directors Elysa Marden and Thomas Coté. Her plays have been performed across the USA and UK and published by Samuel French, Smith and Kraus, and Applause. She does freelance writing of corporate videos for various companies and reading tips for the Dolly Parton Imagination Library (published by Penguin Random House.) She also writes films including the short film A Double Whammy which aired on PBS and won the Reel-13 Award.
Erika Phoebus (she/her) is an NYC-based playwright who writes shapeshifting plays about pleasure, autonomy, and all things magical, strange, and a little horrific. Select plays include witch play (Great Plains Theatre Conference 2023; Seven Devils finalist; Soho Rep Writer Director Lab finalist), LET’S PRETEND (O’Neill National Playwrights Conference semi-finalist), RUSALKA (Awarded Outstanding Script & Outstanding Production, Planet Connections Theatre Festival), KISS IT, MAKE IT BETTER (New Ohio Production). Her short play SHARK WEEK won the Samuel French Off-Off-Broadway Short Play Festival and is now published by Concord Theatricals, and has been produced by the Atlantic Theatre Acting School. Erika has received residencies through Fresh Ground Pepper’s BRB retreat, Theatre 4the People @theBarn, and was a finalist for Fresh Ground Pepper’s PlayGround PlayGroup (led by Jaclyn Backhaus). She’s currently participating in The Workshop Theater’s Fall 2025 Writers’ Intensive. As an educator, Erika has taught playwriting at Bowie High School (Austin, TX), Westerly High School (Westerly, RI), and Arizona Actors Academy (Phoenix, AZ), and has received her Mental Health First Aid Certification from the National Council of Mental Wellbeing. B.F.A. Creative Writing from Brooklyn College. www.erikaphoebus.com; IG: ephoebs
C.S. Hanson is a playwright with off Broadway and regional credits. In NYC, her plays have been produced at Cherry Lane, Theater for the New City, Theater Row, NY Int’l. Fringe Fest., The Brick, Metropolitan Playhouse, and Estrogenius. Her work has been developed thanks to Nancy Manocherian’s the cell theatre, The Bechdel Group, Lake George Theater Lab, EST, LaMaMa, Abingdon, Naked Angels, The Lark, The Actors Studio, and NJ Rep. She is an alumna of American Lyric Theater’s Composer/Librettist Development Program, for which wrote the libretto for “Giovanni/a” (composer: Del’Shawn Taylor), presented at Symphony Space in June 2025. Hanson has received commissions from the Experimentals at LaMaMa, Working Theater, Nomad Theatrical, America-in-Play, and Gleams Theatre. Proud member of the Dramatists Guild of America and Honor Roll. More at www.cshanson.com
Margo’s acting credits include stints @ Williamstown Theatre Fest (MA), Wilma Th. (Philadelphia), Asolo Th. (FL), Centenary Stage (NJ), Nickerson (Boston) and various locales in Manhattan; including EST, Circle Rep Lab, Huron Club (Soho Playhouse), Abingdon Theatre, Artistic New Directions, The Workshop Th, American Jewish Th @ 92nd St Y, infamous Club 57, and many more. She recently appeared in YouTube’s award winning “Nurses Station, Episode 9” as Mrs. McGrath. www.margohammond.com member of AEA, SAG/AFTRA, Dramatist Guild, ARTC, Actors Studio PDU and League of Professional Theatre Women